In accordance with §11 PAngV (German ordinance regulating the indication of Prices), the last offer price shows the lowest price of the last 30 days after all usual direct discount deductions. Discounts such as cashback or trade-in, which are calculated or paid out after the purchase or by third parties without a contractual relationship with Hifi Foto Koch GmbH (service providers, agencies, manufacturers, etc.) or which require further action, are not included.
Make your vision a reality. The D780 offers everything you expect from a high-quality digital SLR - and goes far beyond. Spontaneous or posed. Photos or movies. This full-frame D-SLR is the continuation of a success story.
FINDER AF
The phase-detection autofocus system with 51 points has sensitivity down to -3 EV. You get top-of-the-line tracking and can quickly switch between autofocus modes.
AF IN LIVE-VIEW
The fast hybrid autofocus system with 273 points and approximately 90% vertical/horizontal image coverage has sensitivity ranging up to -4 EV (down to -6 EV in "low light autofocus").1 Eye AF is available when shooting.
CONTINUOUS SHOOTING AT UP TO 12 FPS
Shoot up to 7 fps with AF/AE or up to 12 fps with AF/AE in silent live image shooting mode. Shots in RAW format are also recorded at full resolution.
OPTICAL SEARCHER AND TILTABLE TOUCHSCREEN
The optical viewfinder with a magnification factor of 0.70 provides a wide field of view and 100% coverage. The tilting LCD monitor with approximately 2.359 million pixels enables touch triggering and autofocus operation.
SUPERIOR IMAGE QUALITY
Lenses with F bayonet. 24.5-megapixel CMOS sensor. EXPEED 6 image processor. 180,000-pixel RGB exposure metering sensor and advanced scene recognition system as on the D850.
LARGE ISO RANGE
The D780's ISO range is even wider than the award-winning D850. Work with an ISO range of 100 to 51 200, which can be extended upward to 204 800 or downward to ISO 50.
FULL-SIZE D-SLR FILMS
Shoot ultra-high-resolution 4K/UHD movies at 30p/25p/24p without cropping. Record movies with N-Log or Hybrid Log Gamma (HLG) high information density.
CREATIVE FREEDOM
Exposure times from 1/8000 sec to 900 sec. In-camera time-lapse. 2-MP stills at a stunning 120 fps. Camera menu "Negative Digitizing "2. And much more.
FAST IMAGE TRANSFER
Easily transfer images with the camera's high-speed data transfer feature and wireless connectivity. With SnapBridge, users can share JPEGs and RAW files with any smart device.
Mit der Nikon D780 sind Sie für alle fotografischen Aufgaben gewappnet! Die klassische DSLR bringt im Jahr 2020 eine hervorragende Bildqualität mit sich und die Bildergebnisse des mit 24,5 Megapixel auflösenden Sensors kann vollends überzeugen. Im Live-View stehen sogar Funktionen wie der für Portraits äußerst nützliche Augen-AF zur Verfügung. Außerdem ist in diesem Modus eine Autofokus-Bildabdeckung von 90% erreicht, sodass das Motiv in fast jeder denkbaren Position fotografiert werden kann. In Kombination mit dem neigbaren Touch-LCD Monitor lassen sich so viele tolle Bilder erstellen. Der ISO-Bereich von 100-52.200 ermöglicht dabei die Aufnahme von brillianten Bildern in verschiedensten Lichtverhältnissen. Für schnelle Serienbilder kann die Kamera mit einer Geschwindigkeit von ganzen 12 Bildern die Sekunde dienen. Besonders für die Tier- oder Sportfotografie ist der optische Sucher einer DSLR dabei ein klarer Vorteil im Vergleich zu den elektronischen Suchern neuer spiegellosen Kameras. Im Video-Bereich sind hochauflösende Aufnahmen bis zu 4K mit 30 Bildern die Sekunde möglich.
Outstanding optical performance for the age of high-resolution digital cameras
Photographers expect more than outstanding image quality from a 24-70 mm F2.8 Lens. They want an all-purpose lens whose features cover a wide range of shooting situations.
They also want an optical design that is ideal for modern high-resolution digital cameras, a Hyper Sonic Motor (HSM) for ultra-fast autofocus, an Optical Stabilizer (OS) with powerful stabilizing effect, a dust and splash-proof mount with rubber seal and a metal barrel for a stable, reliable feel.
Developed from the ground up, the SIGMA 24-70 mm F2.8 DG OS HSM | Art delivers the performance and functionality to help professional photographers create successful shots for news, nature or many other areas.
The fast standard zoom Lens is perfectly suited for today's high-resolution digital cameras. Three SLD (Super Low Dispersion) glass elements and four aspherical lens elements ensure a reduction in aberrations. To ensure excellent image quality from the center to the edge of the photo, the optical system minimizes coma, where the light rays would be scattered and imaged like a comet's tail, and lateral chromatic aberrations that cannot be corrected by the aperture control. The optical system also reduces distortion that often occurs in wide-angle shots, resulting in exceptional optical performance throughout the zoom range.
A lens that meets the high standards of the SIGMA Art product line
We have always pioneered 24-70mm F2.8 lenses that are ahead of their time. The first model with this specification, the SIGMA 24-70 mm F2.8 EX DG ASPHERICAL DF, was launched in 2001. With the fourth generation of this product family, the new SIGMA 24-70 mm F2.8 DG OS HSM | Art, we have achieved the feat of integrating an optical stabilizer into a standard zoom lens with a large diameter.
We have used our many years of experience in design and manufacture to ensure that this new lens can meet the uncompromising requirements of the Art product line in terms of image and processing quality.
An even more beautiful bokeh
When the aperture is wide open, this lens enables exceptional photographic expression. The focused subject area is exceptionally sharp, while the background has a beautiful bokeh with only minimal spherical aberrations. As fast zoom lenses are often used with the aperture wide open, SIGMA has paid full attention to the appearance of the bokeh to achieve the perfect circular shape.
Using advanced aspherical lens processing technology
Aspherical lenses in modern high-performance lenses require special expertise in design and manufacture. Our first products using this technology were the SIGMA 12-24mm F4 DG HSM | Art and SIGMA 14mm F1.8 DG HSM | Art, both of which utilize a large 80mm diameter aspherical lens element as the front lens element. Building on the success of these predecessors, we also integrated an aspherical lens element into the SIGMA 24-70 mm F2.8 DG HSM | Art, which achieves extremely high resolution.
This element is much thicker in the center than at the edges, and forming this unusual shape is a masterpiece of manufacturing technology. In addition, we machine the surface of this aspherical lens element to ultra-precise tolerances measured in hundredths of a micrometer. This extremely fine surface allows the SIGMA 24-70 mm F2.8 DG HSM | Art to produce a very natural and soft bokeh without the visible concentric rings often found in conventional aspherical lens elements.
The OS function and the Hyper-Sonic motor guarantee success with every shot
The Optical Stabilizer (OS) impresses with its powerful stabilizing effect and can therefore be used in many different situations. The newly designed, large Hyper Sonic Motor (HSM) delivers 1.3 times more torque than its predecessor and offers exceptionally stable performance even at low speeds.
* Based on CIPA guidelines. Measured in the telephoto range on a camera with a 35mm full-frame image sensor.
Lens barrel with high rigidity
Since standard zoom lenses are often used as general-purpose lenses and are therefore frequently used, the SIGMA 24-70 mm F2.8 DG HSM | Art is designed to withstand the tougher shooting conditions that professional photographers face.
For this reason, the lens barrel is largely made of metal, while the outer moving parts are made of a thermally stable composite material (TSC) that is highly resistant to thermal expansion and contraction. This structure not only contributes to the exceptional optical performance of the lens, but also to its high strength and reliable workmanship.
Dust and splash-proof mount
As the mount of the lens is particularly susceptible to dust and other foreign bodies, the rubber seal ensures peace of mind. The front lens element also has a water and oil-repellent coating so that the lens works well in the rain, near water or in other difficult conditions.
Includes Nikon's electromagnetic aperture mechanism
In the Nikon version, the Lens has the electromagnetic aperture mechanism and is therefore able to process the signals from the camera body. This feature ensures precise aperture control and consistent auto exposure (AE) performance in continuous shooting mode.
(Note: functionality may be limited with some camera bodies)
Make your vision a reality. The D780 offers everything you expect from a high-quality digital SLR - and goes far beyond. Spontaneous or posed. Photos or movies. This full-frame D-SLR is the continuation of a success story.
FINDER AF
The phase-detection autofocus system with 51 points has sensitivity down to -3 EV. You get top-of-the-line tracking and can quickly switch between autofocus modes.
AF IN LIVE-VIEW
The fast hybrid autofocus system with 273 points and approximately 90% vertical/horizontal image coverage has sensitivity ranging up to -4 EV (down to -6 EV in "low light autofocus").1 Eye AF is available when shooting.
CONTINUOUS SHOOTING AT UP TO 12 FPS
Shoot up to 7 fps with AF/AE or up to 12 fps with AF/AE in silent live image shooting mode. Shots in RAW format are also recorded at full resolution.
OPTICAL SEARCHER AND TILTABLE TOUCHSCREEN
The optical viewfinder with a magnification factor of 0.70 provides a wide field of view and 100% coverage. The tilting LCD monitor with approximately 2.359 million pixels enables touch triggering and autofocus operation.
SUPERIOR IMAGE QUALITY
Lenses with F bayonet. 24.5-megapixel CMOS sensor. EXPEED 6 image processor. 180,000-pixel RGB exposure metering sensor and advanced scene recognition system as on the D850.
LARGE ISO RANGE
The D780's ISO range is even wider than the award-winning D850. Work with an ISO range of 100 to 51 200, which can be extended upward to 204 800 or downward to ISO 50.
FULL-SIZE D-SLR FILMS
Shoot ultra-high-resolution 4K/UHD movies at 30p/25p/24p without cropping. Record movies with N-Log or Hybrid Log Gamma (HLG) high information density.
CREATIVE FREEDOM
Exposure times from 1/8000 sec to 900 sec. In-camera time-lapse. 2-MP stills at a stunning 120 fps. Camera menu "Negative Digitizing "2. And much more.
FAST IMAGE TRANSFER
Easily transfer images with the camera's high-speed data transfer feature and wireless connectivity. With SnapBridge, users can share JPEGs and RAW files with any smart device.
Outstanding optical performance for the age of high-resolution digital cameras
Photographers expect more than outstanding image quality from a 24-70 mm F2.8 Lens. They want an all-purpose lens whose features cover a wide range of shooting situations.
They also want an optical design that is ideal for modern high-resolution digital cameras, a Hyper Sonic Motor (HSM) for ultra-fast autofocus, an Optical Stabilizer (OS) with powerful stabilizing effect, a dust and splash-proof mount with rubber seal and a metal barrel for a stable, reliable feel.
Developed from the ground up, the SIGMA 24-70 mm F2.8 DG OS HSM | Art delivers the performance and functionality to help professional photographers create successful shots for news, nature or many other areas.
The fast standard zoom Lens is perfectly suited for today's high-resolution digital cameras. Three SLD (Super Low Dispersion) glass elements and four aspherical lens elements ensure a reduction in aberrations. To ensure excellent image quality from the center to the edge of the photo, the optical system minimizes coma, where the light rays would be scattered and imaged like a comet's tail, and lateral chromatic aberrations that cannot be corrected by the aperture control. The optical system also reduces distortion that often occurs in wide-angle shots, resulting in exceptional optical performance throughout the zoom range.
A lens that meets the high standards of the SIGMA Art product line
We have always pioneered 24-70mm F2.8 lenses that are ahead of their time. The first model with this specification, the SIGMA 24-70 mm F2.8 EX DG ASPHERICAL DF, was launched in 2001. With the fourth generation of this product family, the new SIGMA 24-70 mm F2.8 DG OS HSM | Art, we have achieved the feat of integrating an optical stabilizer into a standard zoom lens with a large diameter.
We have used our many years of experience in design and manufacture to ensure that this new lens can meet the uncompromising requirements of the Art product line in terms of image and processing quality.
An even more beautiful bokeh
When the aperture is wide open, this lens enables exceptional photographic expression. The focused subject area is exceptionally sharp, while the background has a beautiful bokeh with only minimal spherical aberrations. As fast zoom lenses are often used with the aperture wide open, SIGMA has paid full attention to the appearance of the bokeh to achieve the perfect circular shape.
Using advanced aspherical lens processing technology
Aspherical lenses in modern high-performance lenses require special expertise in design and manufacture. Our first products using this technology were the SIGMA 12-24mm F4 DG HSM | Art and SIGMA 14mm F1.8 DG HSM | Art, both of which utilize a large 80mm diameter aspherical lens element as the front lens element. Building on the success of these predecessors, we also integrated an aspherical lens element into the SIGMA 24-70 mm F2.8 DG HSM | Art, which achieves extremely high resolution.
This element is much thicker in the center than at the edges, and forming this unusual shape is a masterpiece of manufacturing technology. In addition, we machine the surface of this aspherical lens element to ultra-precise tolerances measured in hundredths of a micrometer. This extremely fine surface allows the SIGMA 24-70 mm F2.8 DG HSM | Art to produce a very natural and soft bokeh without the visible concentric rings often found in conventional aspherical lens elements.
The OS function and the Hyper-Sonic motor guarantee success with every shot
The Optical Stabilizer (OS) impresses with its powerful stabilizing effect and can therefore be used in many different situations. The newly designed, large Hyper Sonic Motor (HSM) delivers 1.3 times more torque than its predecessor and offers exceptionally stable performance even at low speeds.
* Based on CIPA guidelines. Measured in the telephoto range on a camera with a 35mm full-frame image sensor.
Lens barrel with high rigidity
Since standard zoom lenses are often used as general-purpose lenses and are therefore frequently used, the SIGMA 24-70 mm F2.8 DG HSM | Art is designed to withstand the tougher shooting conditions that professional photographers face.
For this reason, the lens barrel is largely made of metal, while the outer moving parts are made of a thermally stable composite material (TSC) that is highly resistant to thermal expansion and contraction. This structure not only contributes to the exceptional optical performance of the lens, but also to its high strength and reliable workmanship.
Dust and splash-proof mount
As the mount of the lens is particularly susceptible to dust and other foreign bodies, the rubber seal ensures peace of mind. The front lens element also has a water and oil-repellent coating so that the lens works well in the rain, near water or in other difficult conditions.
Includes Nikon's electromagnetic aperture mechanism
In the Nikon version, the Lens has the electromagnetic aperture mechanism and is therefore able to process the signals from the camera body. This feature ensures precise aperture control and consistent auto exposure (AE) performance in continuous shooting mode.
(Note: functionality may be limited with some camera bodies)
Du glaubst Landschaftsfotografie geht nur mit einem Weitwinkel Objektiv? In diesem Blogbeitrag zeigt euch Christopher Schmidtke Bilder von seinem Fotoausflug in die bayrischen Voralpen. Fotografiert hat er ausschließlich mit dem Teleobjektiv Sigma 70-200.
Du glaubst Landschaftsfotografie geht nur mit einem Weitwinkel Objektiv? In diesem Blogbeitrag zeigt euch Christopher Schmidtke Bilder von seinem Fotoausflug in die bayrischen Voralpen. Fotografiert hat er ausschließlich mit dem Teleobjektiv Sigma 70-200.
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